Tomasz Łuczak
Grzegorz Tarwid, who, together with Sebastian Zawadzki or Kuba Sokołowski is creating a new chapter of Polish piano music, is not overly sentimental and sugary. He knows that Nahorny, Makowicz and Jagodziński should be valued, but the context of his play, combined with Shostakovich’s or impressionist inspirations, suggests more the direction defined by Paul Bley, Andrew Hill and Matthew Shipp.